Jumat, 23 Mei 2014

Download Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer

Download Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer

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Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer

Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer


Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer


Download Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer

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Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer

This book provides an insightful introduction to the most important field of military innovation for the 21st century―robotic and drone weaponry.


• A chronology of important events in robotic technology

• A detailed bibliography on the latest sources related to this innovative technology

  • Sales Rank: #1787639 in Books
  • Brand: Brand: ABC-CLIO
  • Published on: 2013-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.10" l, 1.20 pounds
  • Binding: Hardcover
  • 297 pages
Features
  • Used Book in Good Condition

From Booklist
Military robots generally conjure futuristic images. However, forms of automation have been used in warfare since ancient times. Current technological advances have made it possible for those fighting to be physically far removed from the site of action, relying on advanced sensors, high-speed processors, and remote-control equipment to perform the task of war. These advances have pulled in their wake additional social and moral discussions on their impact and use. Although these are important discussions, technological aspects are the book’s primary focus. The U.S. is currently at the forefront of this industry but is certainly not the only player, and the work explores what other countries are doing to further develop this field. The book starts with a brief background of military robots and delves into pertinent technological and operational issues. A chronology emphasizing events during and after the Cold War is followed by thumbnail biographies of individuals who contributed to developing and advancing military robots. The biographies include not only technical people but also major decision makers whose influence has directed growth in this area. The longest (and perhaps most insightful) chapter of this book describes some of the robots used by the military as well as documents pertaining to accepted use of this technology. Brief descriptions of relevant American organizations (government agencies, research organizations, and defense companies) are followed by a list of additional resources. This reviewer was struck by the amount of information that is publicly available, which raises the question of how much more is classified. Extensive references at the end of most chapters make this a valuable resource for those readers interested in greater study. As a reference for high-school students and up, this book is an excellent starting point for anyone interested in modern military robotics, especially on the technological capabilities of contemporary mechanization. --Muhammed Hassanali

Review
"Military Robots and Drones: A Reference Handbook provides a high-level overview of the background and current trends affecting two types of mechanical devices used in combat and non-combat settings: robots . . . and drones. . . . [T]his work serves as a useful introduction to the topic and a guide to current literature." - Reference Reviews

"Providing a basic overview, this easy-to-use handbook is a good introduction to the topic." - Choice

"Extensive references at the end of most chapters make this a valuable resource for those readers interested in greater study. As a reference for high school students and up, this book is an excellent starting point for anyone interested in modern military robotics, especially on the technological capabilities of contemporary mechanization." - Booklist

"This is a fine collection on a subject where available sources are scarce." - ARBA

About the Author

Paul J. Springer, PhD, is assistant professor of comparative military studies at the Air Command and Staff College at Maxwell Air Force Base, Montgomery, AL. He previously taught at the United States Military Academy at West Point and Texas A&M University. Springer earned his doctorate at Texas A&M University in 2006, and authored America's Captives: Treatment of POWs from the Revolution to the War on Terror.

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Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer PDF

Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer PDF
Military Robots and Drones: A Reference Handbook (Contemporary World Issues)By Paul J. Springer PDF

Free Download Authors in the Classroom: A Transformative Education Process

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Authors in the Classroom: A Transformative Education Process

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  • Published on: 1600
  • Binding: Paperback

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Minggu, 11 Mei 2014

Get Free Ebook Malevich: Painting the AbsoluteBy Andréi Nakov

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Malevich: Painting the AbsoluteBy Andréi Nakov

An iconic figure in the history of modern art, the Russian painter Kazimir Malevich (1879-1935) was the creator of Suprematism, best known for his emblematic Black Square (1915). Censored in Russia for many years, his revolutionary writings were only recognised at the end of the twentieth century, initially in Western Europe. Similarly, much of his work remained unknown until the fall of Communism; little studied, the life and work of this painter remain shrouded in an aura of mystery. Andrei Nakov's monumental 4-volume study of this prophetic artist is founded on many decades of research in Russia, Western Europe and the US. The author has uncovered many previously unknown documents, and sheds a new light on Malevich's pivotal role in the development of modern art, offering a radically new interpretation of a fascinating artist. Volume 1: Impressionism and Symbolism are the starting points of the Polish-born Russian painter Kazimir Malevich's avant-garde trajectory. The artist's passion for Gauguin and Cezanne, and his subsequent involvement with Cubism and Futurism, enabled him to lay the foundations of a powerful oeuvre bolstered by an unrivalled sensitivity for colour. Theory and practice, theatrical and literary experiences, paved the way for his uniquely original venture into 'transrational' creation. By exploding the coherence of traditional 'realist' representation, and thus the meaning of visual forms, Malevich pioneered a new approach to art. In the spring of 1915, moving courageously beyond the boundaries of traditional mimesis, he ventured into non-objective painting. Volume 2: Starting with Malevich's revolutionary Quadrilateral ('Black Square') of 1915, which his contemporaries experienced as a veritable earthquake, Suprematism developed vertiginously, attaining the maximal intensity of pure colour barely three years later. In the summer of 1918, the so-called colourless phase of Suprematism culminated in White Square, which marked a major painterly and philosophical turning point in the handling of colour as energy. The artist's white-on-white compositions at the Non-objective Creation and Suprematist exhibition in spring 1919, provoked the anger of his fellow non-objectivists. Motivated by philosophical considerations, his temporary abandonment of painting, which he declared 'obsolete', sounded the death knell of abstract art in Russia. Malevich's impulse to move beyond painting remains little understood even today; at the time it meant the end of any hope of his pursuing a career and making a permanent place for Suprematism in Moscow. Volume 3: Introducing Suprematism to the sphere of everyday life, Malevich created highly original architectonic works in the early 1920s, while concurrently producing an important body of theoretical writings constantly marked by philosophical preoccupations. In the teeth of increasing social adversity he turned to foreign venues. An exhibition in Berlin in 1927, opened the doors of the Bauhaus and brought him to the attention of Western European and, not long after, North American viewers. However, the idealism of his art proved anathema to the totalitarian authorities in his homeland. On returning to Leningrad he was immediately jailed. Although released he was imprisoned again, far more traumatically, in 1930, as a result of which he began to explore new figurative approaches. Endeavouring to produce images of the 'new man', he laid the foundations of his post-Suprematist figurative painting, which reconsiders symbolic values from the standpoint of his non-objective experience. Blacklisted, he suffered severe material deprivations and social ostracism, which soon made it impossible for him to continue painting. He died of cancer in 1935, aged barely 56. In addition to a visual oeuvre of stunning intensity, he left behind an as yet partly unpublished and untranslated corpus o

  • Amazon Sales Rank: #4528815 in Books
  • Brand: Brand: Lund Humphries Pub Ltd
  • Published on: 2010-12-28
  • Original language: English
  • Dimensions: 11.22" h x 6.00" w x 9.76" l, .12 pounds
  • Binding: Hardcover
  • 1656 pages
Features
  • Used Book in Good Condition

Review '...beautifully produced four-volume set on the life and work of early abstractionist, Kazimir Malevich.' Cassone '... a handsome boxed set of four weighty volumes, lavishly produced and copiously illustrated.' The Burlington Magazine

About the Author Andrei Nakov is the leading world expert on the work of Kazimir Malevich and the Russian avant garde. He is the author of the Malevich catalogue raisonne (2002), an extensive critical anthology of the writings of Malevich (1975), and L'Avant-garde Russe (1984). Kazimir Malewicz: Le Peintre Absolu (the French edition of the present book) was awarded a prize in 2007 by the Academie francaise des Beaux-Arts. He has organised numerous exhibitions on Dada, Constructivism and abstract art, including the Tate Gallery's Malevich exhibition in 1976.

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